Showing posts with label spy novels. Show all posts
Showing posts with label spy novels. Show all posts

Wednesday, January 20, 2010

Alan Furst



Do you like a good historical spy-thriller?
by Charlie Leck

Some time ago, some writers and, therefore, of course, avid readers, told me about Alan Furst. They were surprised, in a condescending sort of way, that I had not read anything by him – that I really didn’t know about him. They knew full well that I enjoyed really good spy thrillers.

“Furst is the best,” they chimed out together. “He’s absolutely the best.”

Those are awkward kinds of moments, when you feel really silly, small and stupid. So, that evening I did some reading about Alan Furst and, sure enough, because of my enjoyment of the spy-thriller,I should have known about him and I certainly should have read him.

“Start with Dark Voyage,” they had told me when they saw me slumping and looking shamefully inadequate. “You must start with that one and then do whatever you want in reading the rest.”

They rattled off a series of titles I ought to pick up: Dark Star, Red Gold, Blood of Victory, Night Soldiers.

Well, I began a search for Dark Voyage. I’ve told you before that my favorite source for book buying is the American Book Exchange (better known as ABE) and I go to that web site to search for and buy most of my books. I was pretty disappointed to find out that the book, in a first edition copy, was not in stock anywhere and was very difficult to come by. I put it on my wish list at ABE and heard only last week that one dealer (Thriftbooks) had come up with it. I okayed the order and sat back and waited for the mailman (a lady in my case) to deliver it. I could have gone to the Alan Furst website and ordered a paperback edition, but I’m a snob and don’t much care for paperbacks.

I was able to get started on Dark Voyage on the evening it came. I began with what appeared to be a very brief, even tiny, prologue. It was intriguing.
“In the first nineteen months of European war, from September, 1939, to March of 1941, the island nation of Britain and her allies lost, to U-boat, air, and sea attack, to mines and maritime disaster, one-thousand, five hundred and ninety-six merchant vessels.

“It was the job of the Intelligence Division of the Royal Navy to stop it, and so, on the last day of April, 1941…”
I dropped the book to my lap and thought about that. The man had just written that Britain and her allies had lost 1,596 merchant vessels in a period of two years and six months. The United States, I remembered, had not yet entered the war. How devastating! With angst, I flipped forward to the beginning of the book.

Within a sentence or two I was able to know with certainty that I had in my hands a book by a real and talented writer.

“In the port of Tangier, on the last day of April, 1941, the fall of the Mediterranean evening was, as always, subtle and slow. Broken cloud, the color of dark fire in the last of the sunset, drifted over the hills above the port, and streetlamps lit the quay that lined the waterfront. A white city, and steep; alleys, souks, and cafés, their patrons gathering for love and business as the light faded away.”
It is the marvelous thing about reading any extraordinary novel; that is, it takes you with it to new places and to other times. Furst had drawn me from my easy chair and brought me to Tangiers. There I was, witnessing the events of that early evening and totally at his mercy.

John le Carré does that to me when I read him. I’ve always considered The Spy Who Came in from the Cold (1963)to be the best spy thriller I had ever read – until now, that is.

My somewhat snobby, writer friends had been correct. Furst is absolutely extraordinary. He is a brilliant story teller and he is a classy, talented writer. What a remarkable discovery! What a treat! How in heaven’s name had I escaped any knowledge of him? Again, I felt small and silly.

What you must know about Furst is that he is among that genre of “historical spy-thriller writers.” There really is a significant concentration on placing the plot and characters within an accurate historical perspective. It is this that makes writers like Furst and le Carré much more intriguing to read than Daniel Silva and his slash and burn action style.

Furst is a Manhattan boy (Upper West Side). He received his B.A. from Oberlin in ’62 and an M.A. from Penn State in ’67. He’s also lived in the south of France and in Paris. For a short time he worked for the legendary Margaret Mead. He wrote for magazines such as Esquire and, for a period of time, wrote a weekly column in the International Herald Tribune. Furst now lives out on Long Island. He calls Paris “the heart of civilization” and I am not going to argue with that. His novels have never sold in staggering numbers, but, over the years, he’s built a steady, large and loyal group of followers.

If you want to read a quite good and creative story about Alan Furst and how he works, read this article from the NY Times (June, 2009) by Charles McGrath
“North, and north. Into the heart of the storm on the evening of the sixteenth, where the wind shrieked and thirty-foot waves came crashing over the deck and sheets of driven rain sluiced down the bridge-house windows. It was DeHaan who took the storm watch, but Ratter and Kees were on and off the bridge all night long, everybody in oil-skins, including the helmsman, hands white on the wheel, who stood a two-hour shift before DeHaan sent him below and had a fresh one take over. The force of the storm blew out of the west, and DeHaan kept giving up a grudging point at a time, fighting for his course, because Noordendam couldn’t take it full on the beam. Finally Kees said, ‘Turn into the goddamn thing for Christ’s sake,’ and DeHaan gave the order, swinging due west and heading up into the wind. Mr. Ali came up, now and again, blinking as he wiped his glasses with a handkerchief, to report distress calls coming in on the radio – the North Atlantic taking hold of the war that night and trying to break it in half. Then a savage gust of wind snapped the aerial and Ali appeared no more.”
END of blog!

Thursday, September 3, 2009

Daniel Silva: Master of the Spy Thriller



Let me explain why I am reading through all of Silva’s novels and will not let anything deter me!
by Charlie Leck

On the 5th of August – less than a month ago – I was off driving somewhere in my car and, as I usually do, I was listening to Public Radio. In this case, I was tuned into the Midmorning Show from Minnesota Public Radio. Kerri Miller was interviewing Daniel Silva, spy novelist, and I got very intrigued about the writer and the extraordinary characters that he creates.

Silva was a journalist before turning novelist. On her show, Miller called it slipping from “fact into fiction.” His news assignments were in the Middle East and in Washington, D.C., and it is therefore no surprise that much of the action takes place in those areas. European cities, especially Venice, Rome and Vienna dominate the books I’ve read so far; though the reader gets to spend plenty of time in many other European cities and in both South and North America.

Silva wrote his first novel, Unlikely Spy, while still employed with CNN as the executive producer of all of the political talk shows on that network (14 different shows); and managed to get it published. He didn’t have the courage to set off on a permanent career writing fiction and he struggled through his second work, The Mark of the Assassin, on the side also; however he found it too grueling and quit his day job before doing the last draft of that second book. Since, of course, he is a full-time novelist.

What is it about Daniel Silva’s spy/thriller novels that I find so compelling? Should I be embarrassed to admit to my distinguished readers that I really like this guy? Perhaps it is more correct to say that I am addicted to his novels.

Why
Well, I knew you’d ask and I’ve been worried about my reply, but I’ll try to be a straight shooter with you. There are so many important and significant books I want to read in this last quarter of my life that it is reasonable to ask me why I am wasting time reading Daniel Silva. That’s a fair question and, perhaps, even a good question; but it is a bit rough on Silva, I think, because he is a good writer and a pretty slick story teller.

I listened to that complete radio interview a few weeks ago, when Silva was hyping his most recent novel, The Defector, and began thinking that this Silva guy is really quite bright and very imaginative. The plots in his books are pretty typical, but the descriptions of characters and situations and places are not at all typical. There’s plenty of background research and I suspect that Silva travels to the sites he recreates in his books. In other words, I learn a lot. I also suspect, because I detest travel so much these days, that I’m getting to travel, in fantasy, through Silva’s adventures.

Gabriel Allon
And then there is the matter of my attachment to one of Silva’s characters – the main character, or the protagonist – in his latest novels. Gabriel Allon is an art restorer who has established himself as the finest in the world and works on some of the finest pieces of art in the world. Silva has great fun choosing which pieces on which Gabriel is going to work. His descriptions of them in the subsequent book and of Gabriel’s methods are truly intriguing. So, I am learning about significant art and artists. Gabriel also happens to be an agent of Israel’s notorious “office.” This fictional character led the “Black September” assassination of those who were responsible for the slaughter of the Israeli Olympians in 1972. What a double life. Does it seem incredible? It almost is, but Silva pulls it off.

Wining and Dining
Like most of the writers of spy stories, Silva’s characters do lots of dining in delightful establishments around the world and they drink lots of fine wine. Frankly, that’s one of the things I enjoy about these kinds of books. I learn so much about international food and about exceptional wines. Silva’s treatment of this subject ranks right up there with the best I’ve read. So in addition to all my vicarious traveling, I also get to dine in a lot of wonderful places as well.

This is a digression, but it makes me think of John Grisham’s wonderful little book, Playing for Pizza, that was definitely not one of his most popular. I, however, thought it was terrific because it was set in the Parma region of Italy and the characters were always dining out in wonderful, little regional restaurants and Grisham’s descriptions of the food and wine of Parma were so incredible that I wanted to jump immediately on a plane and fly right over there to experience some of the splendors of Parma’s food.

Silva does that to me also.

So, what I’m saying is that I learn a great deal about food, dining, wine and travel from Silva. It makes me want to hop a plane for Argentina and to go back to Vienna to see the sights and sounds and smells I missed when I was there the first time.

I also learn about modern history from Silva – especially matters related to the Second World War and the holocaust. As a matter of fact, sometimes I learn more than I wish to learn and I find myself flinching at the descriptions of man’s inhumanity to man. I just finished reading Death in Vienna and that book brought me closer to the reality of Hitler’s death camps than I ever wanted to go. I found myself trembling, from time to time, as I read this quite extraordinary account.

Well, my friends know I’m an obsessive personality. Now I am revealing myself to all my readers. When I latch on to something, I grab it with a mighty grip. When I listened to that Public Radio interview, I decided to start with Silva’s first novel and work my way through them. That was three weeks ago. So, I’ve already read…

THE UNLIKELY SPY
THE MARK OF THE ASSASSIN
THE MARCHING SEASON
THE KILL ARTIST
THE ENGLISH ASSASSIN
THE CONFESSOR
DEATH IN VIENNA

And now I’m reading through PRINCE OF FIRE.

Here’s my point
I’m recommending Daniel Silva’s novels to you if you like spy/thriller novels. He’s as good as they come.