Some
days are okay and some are extraordinary. My day, yesterday, falls into the
second classification and frankly I’m trembling
a bit as I try to tell you about it. It was very exciting!
by Charlie Leck
by Charlie Leck
UPDATED: 1 October 2012 (thanks to Tess's comment below)
My blog is not usually an account of my activities – a diary page or memoir – but today it must be because I just had a day that left me dazzled and filled with wonder – and, it all left me just a little bit star struck. I want so much to tell you about it.
My blog is not usually an account of my activities – a diary page or memoir – but today it must be because I just had a day that left me dazzled and filled with wonder – and, it all left me just a little bit star struck. I want so much to tell you about it.
History was
amazingly alive before my very eyes yesterday. I was transported back to two of
the most important and extraordinary years in the history of our nation. I sat
and watched the central figures in the events of those times; and, I listened
in on their conversations and watched them struggle to make difficult
decisions. I liked the people I met and that I watched in action during these
excruciatingly difficult times – Abraham Lincoln, Robert E. Lee, General
Ulysses Grant, Frederick Douglas, Mary Todd Lincoln (in 1865) and, one-hundred
years later, Lyndon Baines Johnson, Dr. Martin Luther King Jr., Coretta King,
Herbert Hoover, Senator Richard Russell, Jr., Nicholas Katzenbach, Lady Bird
Johnson (1965). I watched and listened to them as they struggled with some of
the most important decisions made in America’s history.
I wasn’t’
dreaming! I was there, transported into those moments by extraordinary actors
and the genius of playwright Christopher Hampton. Thanks to my sister-in-law,
it was one of the really luscious days of my life – one I’ll never forget and about
which I will do a great deal of thinking.
I’ll stop being
so mysterious. I sat in on a first-reading by the actors at the Guthrie
Theatre, in Minneapolis, of Hampton’s amazing play, Appomattox.
I had the
extraordinary opportunity to meet Hampton before the reading; and also to chat
with him for a few moments at its conclusion. Mind you, I got to do a bit of
the talking and he acted, anyway, as if he was interested in what I had to say.
He’s a gentle looking man – this playwright of such extraordinary credentials –
and he speaks softly and with precision. He’s brilliant, with an Oxford
education and a command over a half dozen languages, but he approaches a
conversation as one who is hungry to learn and not to lecture. My goodness, I
was standing there chatting up a man who has won a slug (if you’ll excuse the
profanity) of awards – Tonys, Olivers, Circles, Oscars, Cannes and many others that I can’t
easily abbreviate.
And, he was
asking me questions. Can you believe it? Were you really there – in Mississippi
in ’64. In Montgomery in ’65?
I was, indeed,
star-struck. There’s no other way to say it. I mumbled and bumbled out answers
as best I could.
Our local
theatre of international fame, the Guthrie
Theatre, is doing a Hampton festival this autumn and featuring three of his
plays – Tales from Hollywood, Embers, and the play I’m most interested
in, Appomattox, which will open on
October 5 (and I’ll be in the audience for the opening). Hampton is here for
the festival.
Appomattox deals with events separated by a hundred
years – first, the American Civil War and the end of it in 1865; and then the
Selma to Montgomery march by Dr. King and his followers in 1965 and the violence
that surrounded it. The play is packed with intense dialogue that allows you
into Lincoln’s White House to hear
intimate conversations between Lincoln and Frederick Douglas, Lincoln and
General Grant. You also see historic conversations and exchanges of
correspondence between General Grant and General Robert E. Lee.
Yesterday, the
actors chosen to play these parts had scripts in front of them as they sat
around a large square of tables and read their lines. Actors, however, are actors
and there was nothing dry about the readings. The dialogue was rich and
powerful and drew deep emotions from everyone who listened in. When J. Edgar Hoover sat in the oval office and conversed with President Johnson, you could
feel the President’s coldness and contempt for the little man who had gathered
far more power to himself than his position should have allowed. This was the
profane and direct President Johnson, who felt the weight of Vietnam and the
rampant racism of the South on his shoulders. There was danger everywhere and the
President walked a mighty slim tight-rope.
The same
brilliant actor will play both Lincoln and Johnson. It was amazing to watch him
transform himself from one to the other and make both of them so totally alive
and believable. The wonderful young actor who played the part of Doctor King
was amazingly inspiring and remindful of the great civil rights leader. There
were a half dozen people invited to hear the reading and each of us admitted,
after it, that we were tearful and choked up during many moments in the play.
Hampton draws
the play to a conclusion in the year 2010 with a fictional encounter in prison
between James Bonard Fowler, the Alabama State Trooper who murdered Jimmie Lee
Jackson in 1965, and Edgar Ray Killen, the only man convicted in the
Mississippi murders of the three young civil rights workers in 1964. 2010 is
contemporary – it is our time and place – and yet you hear in the conversation
the repugnant hatred and racism that still lives in America in our own time.
This conversation wasn’t shocking to me, but it was sad to sit there, listening
in on the intimate conversation between two hateful racists.
I trembled as I
listened to the two killers so lightly discuss their crimes.
Appomattox is going to be an incredible production!
____________________________
Other plays, or
screen plays, by Christopher Hampton include Total Eclipse, The
Philanthropist, Dangerous Liaisons,
Atonement and God of Carnage. He also has a long list of television credits. For
theater buffs, the Hampton Celebration
at the Guthrie is going to be nothing short of extraordinary. You can read
about it on the Guthrie web site’s Hampton Celebration page. Come to Minneapolis for the celebration
and, if you do, be sure to let me know about your visit. I’ll buy you a drink.
Those of you who are locals should get your tickets now. Opening night is
October 5 and there will be four preview performances before the opening.
Appomattox
by Christopher Hampton
directed by David Esbornson
(part of the Guthrie’s Hampton Celebration)
by Christopher Hampton
directed by David Esbornson
(part of the Guthrie’s Hampton Celebration)
_________________________
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You meant J Edgar I'm sure.
ReplyDeleteHi Charles. I am a blogger and entertainment reviewer from the Brainerd area. I've been invited to view and review plays at the Guthrie, and a few other theatres, for about a year, now. I attended "Tales from Hollywood" (You can read the review on my blog Play off the Page), and found it both thought-provoking and entertaining. I'm thinking of bring my almost 15-year-old son to this play. Do you think it is appropriate for someone that age? I would not have been comfortable having him watch "Tales from Hollywood" with me, mostly because of the nudity and mental angst of the characters.
ReplyDeleteI am now a follower and look forward to more posts by you. How did you get invited to the reading? That sounds fascinating.
Play off the Page
I see you have word verification on which makes it harder to leave comments. Most bloggers that I follow have turned theirs off and don't seem to have much trouble with spam.
ReplyDelete